Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Venus

ID: 54781

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus


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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Queen Isabel, Standing | Princess | Unknown man | Oriental three doctor | Ilisabai |
Related Artists:
Clara Southern
Australian artist, 1860-1940 Australian painter. One of the first generation of progressive, professionally educated Australian women artists, she began her training as a pupil of Mme Mouchette, painter, schoolmistress and founder of the Alliance Fran?aise in Melbourne; and later took lessons from Walter Withers. As a student at the National Gallery of Victoria (1883-7) she was nicknamed 'Panther' for her lithe beauty. From mid-1888 she shared a teaching studio with Jane Sutherland in the new purpose-built Grosvenor Chambers, where Tom Roberts was a neighbour. She had 'caught the "Impressionist" fever', reported Table Talk (2 Aug 1889), and showed 'a great variety of charming little sketches, which however are not intended for exhibition'. She showed with the Victorian Artists' Society (1889-1917): mainly subjects around Kyneton and Melbourne's outer suburbs, painted in the fresh, quasi-Impressionist style characteristic of the Heidelberg school.
Jean-Antoine Watteau
1684-1721 Antoine Watteau Art Locations He is best known for his invention of a new genre, the fete galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under FETE CHAMPETRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume, thus blurring references to both time and place. Watteau work was widely collected during his lifetime and influenced a number of other painters in the decades following his death, especially in France and England. His drawings were particularly admired. Documented facts about Watteau life are notoriously few, though several friends wrote about him after his death (see Champion). Of over two hundred paintings generally accepted as his work
Helen Allingham,R,W.S
1848-1926 Studies of Flowers Studies of Flowers .was a well-known watercolour painter and illustrator of the Victorian era. Helen Mary Elizabeth Paterson was born in Swadlincote in Derbyshire,[1] England. Her sister and her father, a doctor, died of diphtheria in 1862, and the rest of the family went to live in Birmingham. In 1867 she went to study art at the "Female School of Art", a section of what became the Royal College of Art in London, and became an illustrator of children's books. She was a great friend of Kate Greenaway. On 22 August 1874, she married William Allingham, who was almost twice her age. At the time, she was employed in illustrating some of the novels of Thomas Hardy, and they were attracted to one another when they met. Helen Allingham illustrated several books, including Six to sixteen: a story for girls (1876), Happy England (1903) and The homes of Tennyson (1905), written with her brother Arthur Paterson. After her marriage to Allingham, she became a watercolour painter, and she was the first woman to become a full member of the Royal Watercolour Society. As well as landscapes, she completed several portraits, including one of Thomas Carlyle.






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